Well here's for something completely different!

Usually, ambientblog is not the platform to promote portuguese electronic pop music - however adventurous it may be. But after releasing Lylac - adventurous electronic cut-up pop music featuring Melissa Veras on vocals, :papercutz main performer Bruno Miguel  grew fond of the ambient genre ("much because of my love for movie soundtracks") - and somehow managed to an impressive list of ambient music artists to rework the music on Lylac. 

To get you interested: "Do Outro Lado De Espelho - Lylac Ambient Reworks"  contains remixes by folks like Helios, Emanuele Errante, Simon Scott, Taylor Deupree, Autistici, Christopher Bisonnette, Jasper TX -  and that's not even everybody on the list!

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Next to Johann Johannsson and Ólafur Arnalds, Max Richter is one of the pioneers of the 'post-classical' genre, a mixture of classical music, electronic sounds and rock music influences. 
Mostly the compositions in this genre are suble and not too complex, often slightly (ore not so slightly) melancholic - the kind of music that feels and sounds like it's written to be a (movie) soundtrack.  

So it should not be a surprise that Richter's Infra was originally written as a score for Wayne McGregor's ballet as performed by the Royal Ballet.

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The Samadhisound label, founded and curated by David Sylvian, simultaneously released three impressive titles. Together they present a landmark of the current experimental/electronic/ improv scene.
Be prepared: none of these albums are 'easy listening' music - in fact, a lot of this music wouldn't even be considered 'ambient'.

Jan Bang's album "...And Poppies from Kandahar" is a good start, because it contains the most 'accessible' music of these titles.

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The Samadhisound label, founded and curated by David Sylvian, simultaneously released three impressive titles. Together they present a landmark of the current experimental/electronic/ improv scene.
Be prepared: none of these albums are 'easy listening' music - in fact, a lot of this music wouldn't even be considered 'ambient'.

If I would compile a list of all time favourite albums, Akira Rabelais' Spellewauerynsherde (also released on Samadhisound) would definitely end up in the highest regions. 
Thus, expectations were mile-high when SamadhiSound announced the release of a new Rabelais album called Caduceus.

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It must be something in the water or in the air over there in Portland, Oregon, resulting in a lot of remarkable music lately. Such as Bridge Carols, by Laura Gibson and Ethan Rose.
It's labelled as "electro-pastoral music" and I really couldn't think of a better description myself.  

It's not very often that I hear a new album that gives me the feeling it is exploring completely new territories by tearing down the limitations of existing styles and influences. Bridge Carols did exactly that. It got under my skin from the very first listen and felt like a mystery to be explored.

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As the musical part of the "Landtonen" festival in november 2009, "Herfsttonen" (Autumn Sounds) celebrated the local district of "Okkenbroek", near Deventer (in Holland).

This may sound as if it is interesting to local citizens only.
Not true! - That would mean the large part of the world would miss this great project!

The three compositions presented here are very different from each other, but they are linked by the theme, and by the environmental sounds of Okkenbroek. This album deserves to be heard out of the local context, too, because it is dedicated to preserving the kind of rural life that may disappear all too quickly.

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"Music for *Real* Airports..." ?? Reading the liner notes, I guess another proposed title for this album could have been "*Real * Music for Airports" :

"...a contemporary reply to Brian Eno's work from the 70s."
"...a more accurate update to Eno's work, and a to a degree, a riposte."
"...Some members of The Black Dog were disappointed by Eno's treatment of the subject in 1978 and have been considering how to produce a more meaningful response ever since."

Wow...The Black Dog re-defining and upgrading the classic album that practically defined the ambient music genre???

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The Optofonica Project - platform for synesthetic media and sound spatialization - started in 2006 in Amsterdam. They have presented their immersive works on Sonar and Sonic Acts, presenting surround cinema and the Optofonica Capsule which must have been quite an impressive experience!

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Let me begin with a warning: this mix is quite unlike the previous ones!
Though there are quite a lot 'ambient moments' to enjoy, it cannot be qualified as 'ambient music mix' because it contains a lot of other musical elements too.

This mix was created especially for Frans Friederich - a dutch musician currently working on a megalomaniac project he started in 1997: Recyclopedia.
One single full CD for each letter in the alphabet.
26 CD's recycling and rewriting musical history associatively...!

Frans Friederich's musical history shows a variety of styles: he played in jazz-, ska-, and big-bands, but also in experimental acts like Dull Schicksal and Trespassers W.  This musical diversity is also heard on the Recyclopedia albums: it's a musical roller coaster ride with Friederich himself joining the musical extremes in his own personal style.

In 2009, Friederich completed the "Recyclopedia Q" album - which contains beautiful ambient music created together with soundscape artist Robert Kroos. 
(So, by now, about 65% of this project is finished - with this average output the entire Recyclopedia will be completed around 2017!)

When I started this Recyclopedia mix, I originally wanted to focus on the many ambient music pieces throughout the series, creating an ambient mix and leaving out all other music. But the nature of the project decided otherwise.

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Peter Broderick is not afraid to try out some new directions. With his music (ranging from minimal electronics via minimalism to new-folk), as well as with the ways to distribute them.
Some of his records were released on fairly wellknown labels as Type and Kning, or on lesser known labels as Slaapwel Records and Fang Bomb. But also on cassettes, freely available mixtapes, and now even using Flickr (the  web 2.0 photo sharing site).

As far as I know, he's the very first artist creating a 'Flickr Album' this way.

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